@Fable: from Jean Cocteau to Mel Brooks?
I thought Metropolis was mentioned on the first page. Definatly makes my list. (BTW it's 27', not 28')
And no matter how many times I've seen it, I still crack up everytime Rick Moranis walks through that door and opens that helmet. As they say- in comedy, timing is everything, and Mel Brooks is truely one of the best guys out there at timing his jokes.
I know it's not fantasy, but since we're talking about Brooks, I just saw The Producers again last week. That is one of the funniest movies ever.
I find it amazing how even now, 35 years after it came out, the 'Springtime for Hitler' is still pushing it, and could easily be taken offensively- until you remember that the movie was directed by Mel brooks, a jew, starring Zero Mostel and Gene Wilder- both jews and about Max Bialystock (Mostel) and Leo Bloom (Wilder)- both obviously jewish. So by making everyone jewish, Brooks not only cashed in on the stereotype, but also ensured that no one would mistake him for doing anything out of anything but satire.
Wilder is fantastic. He is so hillarious- "I'm hysterical! I'm hysterical! Now I'm wet! I'm hysterical and wet! Now I'm in pain! and I'm wet! And I'm still hysterical!" or "You're gonna jump on me! I know you're gonna jump on me!"
The song is IMO the funniest dance routine ever. The Nazi singing "Springtime for Hitler and Germany. Winter for Poland and France" or "Don't be stupid, be a smarty, come and join the Nazi party!"
And just seeing the audience's horrified faces as you see the dance group doing the heil or forming a swastika and pictures of Hitler coming out.
It is hillarious, but only if taken in the way that it was delivered, otherwise it can be mistaken for sick, dark humor.