GB: First of all, how is development coming along on Vampire: The Masquerade - Bloodlines? Have you recently reached any milestones or ran into any unforseen obstacles?
Leonard: Development is coming along great. We're pushing full steam ahead towards beta and the game is really starting to come together.
GB: How much contact have you had with White Wolf during the development of Bloodlines? Have there been any conflicts between White Wolf and Troika in terms of implementing any of the the V:tM rules into a computer game?
Leonard: The relationship between White Wolf and us has been great. They've been really supportive of this game, and we've not had any real conflicts with them over rule implementation or anything for that matter. Early on we were running our story ideas past them and they had some critiques about certain aspects of the story in terms of how it related to their universe, but these were relatively small and they never really objected to some of the bigger things we were doing in the game.
GB: When Troika was first approached from Activision, was there any discussion of Nihilistic's Vampire: The Masquerade - Redemption playing a part in the storyline for Bloodlines? Did the original RPG have any influence on development decisions in Bloodlines whatsoever?
Leonard: When we first spoke with Activision about this project, there was actually never any thought of incorporating anything from the first game's storyline into Bloodlines. We were all much more focused on creating an entirely new story and giving the player the opportunity to create their character instead of being given one. I think Redemption was great for what it was, but we were setting out to make a totally different style of game than it had been.
GB: V:tM - Bloodlines will take place in four different "hubs" of a dark Los Angeles. Please detail each of these hubs and how the mood and/or environment will change from one to another.
Leonard: The four hubs are Santa Monica, Los Angeles (also known as Downtown), Hollywood and Chinatown.
Santa Monica is a sleepy little seaside town, not a lot of huge buildings, it is right on the beach, and the pier contains the colorful Ferris Wheel that can be seen from your haven window.
Los Angeles is a city of skyscrapers and feels like much more of an urban setting than any of the other hubs. It's also fairly imposing in that large buildings always surround you. LA definitely has an industrial, gothic feel to it.
Hollywood is basically our version of the Sunset Strip, with the famous Hollywood Hills overlooking it. Because it's Hollywood, there's a strip club as well as a smut shop, as well as a few upper crust dance clubs.
Our version of Chinatown probably has the moodiest feel of all the hubs, as it feels completely foreign with its fog shrouded skyline and its unique architecture.
Of course, since this is the world of darkness, each of these areas, while possessing its own distinct feel, also has an overarching feel of decay and death (and bums and prostitutes for good measure).
GB: Does each of the four Los Angeles hubs contain certain necessities for the player, such as a haven, a nightclub, and/or a merchant to peruse? Also, other than purchasing equipment from merchants, does money have any other purpose in the game?
Leonard: The player starts out with a run down haven in Santa Monica, and, if they play their cards right, can get upgraded to a nicer place in Los Angeles. The player ends up frequenting Los Angeles a lot, so it's a handy place to have your swinging vampiric pad. Every hub has at least one merchant and one night club. As far as money goes, you can use it to buy blood packs or to frequent the prostitutes as well as buying weapons, ammo, and armor with it.
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