To give us a better perspective of his music-making talents, Bethesda Softworks has kicked up
a short in-house interview with newly announced Fallout 3 composer Inon Zur.
You mentioned Fallout Tactics. I’m wondering if you could talk from your perspective about the difference in approaching those two projects. How are they similar? How are they different in terms of your approach and the music that you composed for each?
That’s a great question. Fallout Tactics that I did with Interplay was all about being very weird. We tried to find any aspect of music that wasn’t conventional. I had people screaming and shouting in the studio. I had people banging on some chairs, the floor, all kind of really weird things. Basically the outcome was a very interesting score which was not so friendly for listening to it by itself, but it worked pretty well with the game.
What we really tried to do here in the current Fallout is take it a little back to the center, but still maintain very mood driven music, and use some not so conventional aspects of scoring. However, we had battles which we didn’t have in the first Fallout. So when you are engaging into battle, you have battle music that is not like what you would hear in games like GOW but still its more sort of rhythmical energetic music, which is different. We have something which we call musical theme for the game, which we did not have in the previous game. So we have more of a musical signature in this game.
Fallout 3/Inon Zur Interview 
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